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News Flash: The concept of suspension all'EX3 new exhibition in Florence


From Exibart

SUSPENSE. Sculptures suspended

opening Saturday, February 19, 2011 in which attention is given to the vacuum mass, the light weight, the movement to stability. What you want to learn is a common phenomenon whose origins can be traced back to some examples of the avant-garde tradition, from constructivism to surrealism, and in particular to

mobiles by Calder.

The lack of certainty of philosophical and political ideologies or religious, alongside an awareness of the limits of development to which it is joined by a growing need for simplicity and lightness, has contributed to an exponential increase in the creation of works slender, unstable or ephemeral, many of which are now to share the characteristic of the suspension. A significant part of contemporary sculptural output has in fact not only renounced the pedestal, but it is also radically separated from any relationship with the ground.

explored through each episode, during the twentieth century, the practice of " suspension "has become, over the past decade, a distinctive feature of the poetics of many artists. The exhibition will then forward a group of works suspended or projecting characterized by a general rejection of all forms stable or fixed. Works that suggest the idea of \u200b\u200ba possible or likely through manipulation, while maintaining, under their three-dimensionality and their space, a strong bond with an idea, albeit changed, sculpture. The core of artists invited to participate in the exhibition, toghether with the ability to suspend sculptural and conveys multiple heterogeneous willingness to communicate: the shared characteristics of lightness, dynamism, and antimonumentalità precariousness of the work presented in EX3, qualify as true linguistic devices capable of multiple reflections arise.